カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The denomination and date are rendered in bold capital letters arranged across four lines in the center of the field, reading 1 / KRE / UTZER / 1802, the word KREUTZER being split across two lines for typographic balance. A small six-petalled rosette ornament appears above the numeral 1 at the top of the field, flanked by two further rosettes, and a single rosette is placed below the date at the base, serving as decorative punctuation in lieu of a border legend. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Hieronymus von Colloredo is remembered less for his coinage than for his bitter dispute with the Colloredo family's most famous employee — Mozart served as court musician under him until a humiliating 1781 dismissal that reportedly ended with a literal kick from the Archbishop's secretary. By 1802, Colloredo's grip on Salzburg was loosening fast; Napoleon's reorganization of German ecclesiastical territories under the Reichsdeputationshauptschluss the following year would abolish the Archbishopric as a sovereign issuing authority entirely, making this among the final copper struck under his name.