| Emitent | Delhi, Sultanate of |
|---|---|
| Rok | 1211-1240 |
| Typ | Standard circulation coin |
| Hodnota | 1 Jital (1⁄48) |
| Měna | Tanka (1206-1526) |
| Složení | Copper |
| Hmotnost | 3.71 g |
| Průměr | 12 mm |
| Tloušťka | |
| Tvar | Round (irregular) |
| Technika | |
| Orientace | |
| Rytci | |
| V oběhu do | |
| Reference | Tye#389.3 |
| Popis líce | Horseman |
|---|---|
| Písmo líce | |
| Opis líce | ग ष ल |
| Popis rubu | Bull Seated to Left, Nagari legend around |
| Písmo rubu | |
| Opis rubu | |
| Hrana | Plain |
| Mincovna | |
| Náklad |
ND (1211-1240) - - |
| ID Numisquare | 1016194670 |
| Další informace |
Historical Context: The 1 Jital, struck in the name of Abbasid Caliph al-Mustansir Billah (r. 1226-1242 CE) by the Delhi Sultanate, situates itself within the crucial formative period of Islamic rule in India (1211-1240 CE). This era primarily encompasses the reign of Sultan Shams ud-Din Iltutmish (1211-1236), consolidator of the Mamluk Dynasty. The inclusion of the Caliph's name, despite Delhi's de facto independence, signified spiritual allegiance and sought to legitimize the Sultanate's authority amongst the Muslim populace, asserting its place within the broader Islamic world while establishing a distinct Indian identity.
Artistry: Engravers of this period are largely anonymous. The coin's artistry reflects a transitional phase, blending established Islamic epigraphic traditions with indigenous Indian numismatic elements. While the obverse typically features the Caliph's name in Naskh or Kufic script, the reverse of Tye#389.3 often incorporates Nagari legends such as "Sri Hamirah" or "Sri Sultan." This syncretic approach, common on early Delhi Sultanate copper issues, demonstrates the pragmatic adaptation of local iconography and script alongside the new Islamic identity, rather than a singular stylistic school.
Technical/Grading: Given its small 12mm copper flan and common production methods, high-grade examples of this 1 Jital are rare. Key grading points include the clarity and completeness of the legends on both sides, particularly the Caliph's name in Arabic and any accompanying Nagari script, which are frequently off-flan or weakly struck. A strong, centered strike is paramount. Details of the calligraphy, though often simplified, should be discernible. Absence of significant corrosion, pitting, or planchet flaws, coupled with an attractive, stable patina, further enhances desirability.