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1 Guinea - Anne Pattern
| Uitgever | Royal Mint |
|---|---|
| Jaar | 1702 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | John Croker |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Milled |
| Muntplaats | Log in om details te zien |
| Oplage | 1702 |
| Aanvullende informatie |
Anne's accession in 1702 prompted the Royal Mint to explore new portraiture before committing to a production type, and pattern guineas from this year document that process. John Croker, a German-born medallist who had arrived in London only a few years earlier, was among those competing for favor — his rivalry with the established engraver Samuel Bull shaped which designs advanced and which were shelved.
KM#Pn33 never reached circulation. Patterns of this reign in gold survive in very small numbers, most traceable to old cabinet collections.