Catalogue
| Émetteur | Venice, Republic of |
|---|---|
| Année | 1249-1253 |
| Type | Standard circulation coin |
| Valeur | 1 Grosso = 26 Denari (13⁄120) |
| Devise | Lira (1156-1471) |
| Composition | Silver (.965) |
| Poids | 2 g |
| Diamètre | 19 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | CNI VII#14 |
| Description de l’avers | Doge (duke) stands facing receiving banner from patron saint St. Mark. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | . M • MAVROCE / • S • M • VENETI • |
| Description du revers | Facing figure of Nimbate Jesus Christ Pantocrator, enthroned, IC XC field to the left and right. |
| Écriture du revers | |
| Légende du revers | IC / XC |
| Tranche | |
| Atelier | |
| Tirage |
ND (1249-1253) - - |
| ID Numisquare | 2701160290 |
| Informations supplémentaires |
Historical Context: The 1 Grosso of Marino Morosini, Doge of Venice (1249-1253), emerged during a zenith for the Republic. Venice dominated Mediterranean trade and exerted significant influence following the Fourth Crusade. Morosini's reign saw the continued production of the grosso, a high-purity silver coin that had become the international standard for large silver denominations. This coin was crucial in facilitating Venice's vast mercantile empire and asserting its economic supremacy.
Artistry: The Grosso's artistic execution adheres to established Venetian numismatic tradition, blending Byzantine iconography with local adaptation. Engravers remain anonymous, but the stylistic school is distinctively medieval Venetian, prioritizing symbolic clarity. The obverse features St. Mark presenting a gonfalon to the kneeling Doge, visually affirming divine sanction and ducal authority. The reverse depicts Christ enthroned, bestowing a blessing, underscoring the coin's spiritual legitimacy.
Technical/Grading: Struck on broad, thin .965 fine silver flans, the Grosso's technical qualities reflect medieval minting. High-points for wear and strike include the faces and hands of St. Mark, the Doge, and Christ, plus details of the Gospels. Legends, often thin, are susceptible to weakness. Off-centering, minor planchet irregularities, and varying strike pressure are common, impacting the overall sharpness and completeness of design elements.