カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | A large royal crown is depicted at center, set within a tressure of nine Gothic arches; a trefoil of pellets ornaments each cusp of the tressure. The design is entirely anonymous, with no royal portrait or name, the crown serving as the sole emblem of royal authority. The surrounding field is plain, and the overall composition reflects the crude but characteristic style of mid-fifteenth century Irish hammered coinage. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A long cross pattée extends to the coin's edge, dividing the field into four quarters and intersecting the surrounding legend. Three pellets are placed in each quarter, with a small annulet interposed between the pellets in two diagonally opposite quarters, a distinctive diagnostic feature of this issue. The reverse legend, running between two concentric circles, identifies the issuing city. The execution is typical of fifteenth-century Irish hammered silver, with characteristic irregularity in both striking and planchet preparation. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Edward IV's first reign saw Dublin and Drogheda producing anonymous issues — coins bearing no mint signature — as part of a broader Irish monetary policy that kept local coinage deliberately distinct from English sterling. The anonymity wasn't oversight; it reflected the practical autonomy of the Irish mints during a period when Yorkist control of the island was politically useful but administratively loose. Spink 6271–6275 encompasses several die varieties across this short window, and attribution between them often hinges on subtle differences in crown style and pellet placement rather than any declared mint identity.