1 Goldgulden Osnabrück Münster City issue

発行体 Osnabrück, City of
年号 1423-1473
種類 Standard circulation coin
額面 1 Goldgulden (3.25)
通貨 Thaler
材質 Gold (.500) (Fineness differed. Initially it was .771, but was soon lowered to .500)
重量 2.99 g
直径 24 mm
厚さ
形状 Round
製造技法
向き
彫刻師
流通終了年
参考文献 Krusy#O 2, Krusy#M 6
表面の説明 Countermark City of Osnabrück (Six-spoked wheel with open hub, the spokes in the center pointedly extended) and City of Münster (Head of St. Paul) over Guilder `Sint Jansgoudgulden` - Arnold of Egmont (1423 - 1473)
表面の文字体系 Latin (uncial)
表面の銘文
裏面の説明 Host coin
裏面の文字体系 Latin (uncial)
裏面の銘文
鋳造所
鋳造数 ND (1423-1473) - -
Numisquare ID 1424636870
追加情報

Historical Context: Issued by the Free Imperial City of Osnabrück (1423-1473), this Goldgulden exemplifies the growing economic autonomy of urban centers in the late medieval Holy Roman Empire. Independent coinage was crucial for regional trade. Initially minted at .771 fineness, reflecting the Rhenish Goldgulden standard, its debasement to .500 gold underscores intense monetary pressures and competitive minting. This reduction often maintained circulation or funded civic needs. The "Münster City issue" indicates a type accepted or circulated in both cities.

Artistry: The specific engraver remains anonymous, typical for 15th-century municipal issues, yet the design adheres to Late Gothic stylistic traditions. Goldguldens commonly featured religious iconography, such as a standing Saint John the Baptist or a local patron saint, often accompanied by a stylized lily (fleur-de-lis) from the Florentine fiorino. The obverse typically displayed the city's coat of arms or a civic emblem, signifying Osnabrück's authority. Execution, though variable, aimed for clear depictions reflecting medieval minting practicalities.

Technical/Grading: Struck on a 24 mm flan and weighing 2.99 grams, this Goldgulden exhibits typical production characteristics. Key high-points for evaluation include facial details of any saint, intricate lily elements, and heraldic devices on the city's shield. Manual striking often results in irregular flans, off-center strikes, or weak impressions. The notable shift in fineness from .771 to .500 is a critical technical detail, influencing intrinsic value and context, distinguishing lower-fineness issues from earlier strikes.

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