Каталог
| Эмитент | Piacenza (Papal States) |
|---|---|
| Год | 1523-1534 |
| Тип | Standard circulation coin |
| Номинал | 1 Giulio (2) |
| Валюта | Groschen (1188-1534) |
| Состав | Silver |
| Вес | 3.34 g |
| Диаметр | |
| Толщина | |
| Форма | Round |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Berman#894, Munt#124, MIR#861/1 |
| Описание аверса | Capped bust left |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | CLEMENS VII P M PLAC` D |
| Описание реверса | Saint Antonino standing left, holding banner with both hands. Saint Giustina standing right, holding crozier |
| Письменность реверса | Latin |
| Надписи реверса | S ANTONINVS S IVSTINA |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1523-1534) - - |
| ID Numisquare | 1255829460 |
| Дополнительная информация |
Historical Context: This 1 Giulio coin, struck in Piacenza under Clement VII (Giulio de' Medici), encapsulates a turbulent Papal era from 1523 to 1534. His pontificate was marked by the Sack of Rome (1527), the burgeoning Reformation, and Italian Wars, which saw Piacenza's allegiance shift. The Giulio, a standard Papal silver denomination, asserted authority and facilitated commerce amidst instability, reflecting the Holy See's persistent temporal power. Piacenza, strategically important, often saw its minting activities reflect the current political master, making these Papal issues significant markers of Clement's influence.
Artistry: The Giulio's design, likely by an anonymous master, reflects the prevailing Early Renaissance numismatic style, with nascent Mannerist elements. Papal coinage of this period typically featured a dignified bust of the pontiff on the obverse, often facing right, wearing the tiara and cope, symbolizing his authority. The reverse commonly depicted a religious motif, such as a standing saint (e.g., Saint Peter or Saint Paul), or the Papal keys and tiara, frequently with the Piacenza mintmark, blending devotion and territorial claim in its iconography.
Technical/Grading: For grading, critical high-points on Clement VII's Giulio include the pontiff's tiara, cope, facial features (nose, beard), and surrounding lettering. On the reverse, details of the saint's drapery, features, or the intricate design of the Papal keys are crucial. Minting quality often exhibits characteristic irregularities: slightly off-center strikes, variable planchet thickness, and areas of weak strike, particularly on highest relief points, due to manual coining processes and frequently worn dies common to 16th-century production.