カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Full-length standing figure of Saint Geminianus, patron saint of Modena, depicted in episcopal vestments with mitre and crozier, facing front. Below the saint, a detailed view of the city of Modena is rendered, showing the cathedral and surrounding towers as a stylized skyline. The composition is framed by a circular Latin legend invoking the saint's name. The design reflects the devotional iconography characteristic of Este dynastic coinage, with the city view serving as a heraldic emblem of Modena. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Francesco I spent much of his reign navigating the impossible geometry of mid-seventeenth century Italian politics — courting France, fearing Spain, and perpetually scheming to expand Este territorial holdings. The giorgino denomination itself was a small-change workhorse of the northern Italian billon tradition, named ultimately for Saint George, and Francesco's issues circulated throughout a duchy that was simultaneously building one of the most aggressive mercenary armies in the peninsula.
MIR 795 covers a span of nearly three decades, during which die workmanship varied considerably across the Modena mint.