Catalogue
| Émetteur | Blida, Commune of |
|---|---|
| Année | |
| Type | Emergency coin |
| Valeur | 1 Franc |
| Devise | Franc (1848-1959) |
| Composition | Copper |
| Poids | 4.58 g |
| Diamètre | 25.00 mm |
| Épaisseur | |
| Forme | Round |
| Technique | Milled |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Lec#205, El Mon.#25.1 |
| Description de l’avers | Value with two arabesques in fields. |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | ZAOUIA 1 BLIDAH |
| Description du revers | Blank. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
ND - - |
| ID Numisquare | 2697494010 |
| Informations supplémentaires |
Historical Context: This 1 Franc coin was issued by the Zaouïa de Blida, a religious lodge in Blida, French colonial Algeria. Though the year is unlisted, such localized currencies typically emerged during economic necessity or to facilitate internal transactions, likely late 19th or early 20th century. It exemplifies non-governmental monetary issuance, highlighting the economic autonomy and social role of religious bodies within the colonial framework, distinct from official French Francs.
Artistry: The engraver for this local Zaouïa de Blida Franc remains unknown. Its stylistic school is utilitarian, prioritizing clear communication of issuer and denomination over elaborate flourishes. The design likely features "Zaouïa de Blida" and "1 Franc," possibly with a simple emblem or calligraphic motif. The aesthetic reflects local craftsmanship, emphasizing legibility and practicality over national mint refinement.
Technical/Grading: Struck in copper (4.58 grams, 25.00 millimeters), this coin's technical qualities often reflect local production. Strikes may vary, with some examples exhibiting less than full detail on higher relief elements like central text or emblems. Planchet quality can be inconsistent, potentially showing minor laminations or irregular surfaces. Key areas for assessing wear and strike quality include lettering on both sides, especially fine details in the Zaouïa's name or denomination, which flatten first.