1 Franc Essai

Emitent French West Africa
Rok 1948
Typ Coin pattern
Hodnota 1 Franc (1 FCFA)
Měna CFA franc (1944-1958)
Složení Copper-nickel
Hmotnost 4.86 g
Průměr 23.05 mm
Tloušťka 1.85 mm
Tvar Round
Technika Milled
Orientace
Rytci Lucien Georges Bazor
V oběhu do
Reference KM#E1, Lec#4
Popis líce Marianne`s head, facing left, wearing a winged Phrygian cap. Several ships in the background. Date below exergue line, followed by privy mark.
Písmo líce Latin
Opis líce REPUBLIQUE FRANÇAISE UNION FRANÇAISE L.Bazor G B ESSAI 1948
Popis rubu Leptoceros gazelle head facing divides denomination, various crops.
Písmo rubu Latin
Opis rubu 1 F AFRIQUE OCCIDENTALE FRANÇAISE
Hrana Plain
Mincovna Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Náklad 1948 - - 2 000
ID Numisquare 6461751180
Další informace

Historical Context: The 1948 1 Franc Essai for French West Africa emerged during the nascent French Fourth Republic, a period of post-World War II reconstruction and evolving colonial policy. France sought to reassert economic stability and consolidate its overseas territories. This pattern coin represents an experimental phase in standardizing currency for the vast federation of French West African colonies, reflecting efforts to modernize colonial monetary systems and transition from wartime expedients, aligning with the 1945 establishment of the CFA Franc zone and testing new denominations.

Artistry: While a specific engraver is not commonly attributed, the design adheres to the functional, yet classically influenced, style prevalent at the Monnaie de Paris. The obverse typically features a dignified Marianne effigy, symbolizing the French Republic, often with a Phrygian cap embodying liberty. The reverse displays the denomination "1 FRANC" and the year "1948," encircled by "AFRIQUE OCCIDENTALE FRANÇAISE," presented with clear, unadorned typography suitable for mass production.

Technical/Grading: Struck in copper-nickel, this Essai coin often exhibits a sharp strike, frequently superior to subsequent regular issues, reflecting its trial nature. Key high-points for assessing wear on the obverse include Marianne's hair strands, the tip of her nose, and the contours of her Phrygian cap. On the reverse, the raised lettering and central numeral are critical. Collectors should seek full definition in these areas, alongside an absence of significant planchet flaws or post-strike damage, which can sometimes be present on Essai pieces.

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