1 Franc Essai

発行体 Réunion (1848-date)
年号 1896
種類 Coin pattern
額面 1 Franc
通貨 Franc (1816-1965)
材質 Copper-nickel
重量
直径
厚さ
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Jean Lagrange
流通終了年
参考文献 KM#E2, Lec#43
表面の説明 Mercure`s head, facing left wearing a winged helmet. Name of the island and name of the country aroudn the rim.
表面の文字体系 Latin
表面の銘文 RÉPUBLIQUE FRANÇAISE LAGRANGE ILE DE LA RÉUNION
裏面の説明 Face value and year.
裏面の文字体系 Latin
裏面の銘文 BON POUR UN FRANC 1896 CONTRE-VALEUR DÉPOSÉE AU TRÉSOR COLONIAL ESSAI
鋳造所
鋳造数 1896 - -
Numisquare ID 1447139200
追加情報

Historical Context: The 1896 1 Franc Essai for Réunion emerges from a period of significant French colonial expansion and administrative consolidation under the Third Republic. With Félix Faure serving as President of France, the late 19th century saw concerted efforts to standardize currency across French overseas territories. Réunion, a vital Indian Ocean colony, required a robust monetary system to support its burgeoning economy. This copper-nickel Essai represents a trial strike for a proposed new denomination, reflecting the French administration's intent to introduce more durable and practical coinage for daily transactions, moving away from older bronze or silver issues for low values and aligning with metropolitan trends.

Artistry: The design of this Essai would have originated from the prestigious Paris Mint, adhering to the academic and allegorical style prevalent during the French Third Republic. While a specific engraver is not listed, such works were typically executed by prominent artists of the time, often under the direction of the Mint's Chief Engraver. The design, though not specified, would likely feature classical republican iconography such as an allegorical figure of Liberty or Marianne, perhaps accompanied by fasces, oak wreaths, or agricultural symbols relevant to the colony. The 'Essai' nature implies a meticulously crafted prototype, showcasing the proposed aesthetic and technical capabilities of the new coinage.

Technical/Grading: When evaluating the 1896 Réunion 1 Franc Essai, key high-points to inspect for wear and strike quality include the highest strands of hair on any allegorical bust, the central veins and tips of leaves within wreaths, and the highest relief points of any heraldic or symbolic elements. Copper-nickel alloys generally facilitate sharp strikes, allowing for excellent retention of intricate details. As an Essai, these pieces were often struck with exceptional care on specially prepared planchets, resulting in superior strike quality compared to circulating issues. However, collectors should still observe the fields for any evidence of die polish, planchet flaws, or minor weakness in areas of complex relief.

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