1 Franc

Emittente	Municipality of Korçë (Albanian notgeld)
Anno	1917
Tipo	Accedi per vedere i dettagli
Valore	Accedi per vedere i dettagli
Valuta	Accedi per vedere i dettagli
Composizione	Accedi per vedere i dettagli
Dimensioni	Accedi per vedere i dettagli
Forma	Rectangular
Stampatore	Accedi per vedere i dettagli
Disegnatore/i	Accedi per vedere i dettagli
Incisore/i	Accedi per vedere i dettagli
In circolazione fino al	Accedi per vedere i dettagli
Riferimento/i	Accedi per vedere i dettagli

Descrizione del dritto	Letterpress in black over a red guilloche underprint, with the Albanian double-headed eagle vignette centred in the design and the denomination "1 fr" in circular cartouches to each side. Bilingual text in French and Albanian is arranged in two flanking columns, with two manuscript signatures below and the place and date of issue "KORÇË / 10-10-17" together with the serial number at the foot. The engraver's and printer's credits are lettered along the bottom margin.
Legenda del dritto	Accedi per vedere i dettagli
Descrizione del rovescio	Printed throughout in red-brown on plain paper, the reverse presents the denomination in both French and Albanian set within a dense geometric guilloche pattern of repeating chevron and wave motifs filling the entire field. A circular control handstamp in violet ink is applied to the upper right area.
Legenda del rovescio	Accedi per vedere i dettagli
Firma/e	Accedi per vedere i dettagli
Tipo di protezione	Accedi per vedere i dettagli
Descrizione della protezione	Accedi per vedere i dettagli
Varianti	Accedi per vedere i dettagli
Commenti	French forces occupied Korçë in late 1916 and established an autonomous Albanian republic under their protection — the short-lived République albanaise de Korçë. This note is a product of that occupation administration, not of any Albanian central authority. The issuing municipality was effectively a French military construct, and the currency was denominated in francs accordingly. Printed locally by A. A. Vangheli rather than a metropolitan press, production quality reflects the constraints of a provincial wartime job. The engraver Davier is otherwise obscure; whether that credit refers to an individual or a small atelier operating under French military patronage is not firmly established. The handstamp was the primary anti-counterfeiting measure — thin protection, but consistent with emergency municipal notgeld of the period.