Каталог
| Эмитент | Antivari, City of |
|---|---|
| Год | 1300-1400 |
| Тип | Standard circulation coin |
| Номинал | 1 Follaro = 1⁄30 Grosso |
| Валюта | Grosso |
| Состав | Copper |
| Вес | 2.83 g |
| Диаметр | |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Dobrinic#1.1.2.7 |
| Описание аверса | Large G in the middle with tilde above |
|---|---|
| Письменность аверса | |
| Надписи аверса | G |
| Описание реверса | Large A with tilde above. |
| Письменность реверса | |
| Надписи реверса | A-TI * B * AR |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1300-1400) - - |
| ID Numisquare | 1478713730 |
| Дополнительная информация |
Historical Context: The 1 Follaro from Antivari, issued between 1300 and 1400, emerges from a pivotal era for this Adriatic port (modern Bar, Montenegro). Often contested by Venice, Serbia, and local rulers, Antivari asserted significant economic autonomy. Issuing its own copper coinage underscores its status as a vital trading hub and archiepiscopal see. These coins were crucial for local commerce, facilitating daily transactions within a dynamic maritime economy.
Artistry: The engraver of this Follaro is anonymous, common for medieval municipal issues. Stylistically, it reflects local medieval traditions, likely influenced by Byzantine or Venetian numismatics given Antivari's trade. Designs, though unspecified, typically featured simple, functional motifs like a cross, a city emblem, or a patron saint. Artistry prioritized clear identification and practical utility for everyday circulation over elaborate aesthetic detail.
Technical/Grading: This copper Follaro, 2.83 grams, typically displays medieval provincial minting characteristics. High-points for preservation are usually central design elements, such as a cross's intersection or prominent symbolic features. Technically, strikes are often crude, frequently off-center, with irregular flans and variable metal quality. Rudimentary planchet preparation results in a robust but imperfect appearance, typical of the period's production methods.