カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Oval intaglio portrait vignette of António Ennes at left, his name inscribed below in the frame. At right, a circular bank seal vignette engraved with a steamship at sea, surrounded by the legend BANCO NACIONAL ULTRAMARINO / COLONIAS COMMERCIO AGRICULTURA. The centre of the note carries a multicolour guilloche underprint with the denomination UM ESCUDO in large bold lettering, above the date LISBOA, 23 de Maio de 1944, the decree reference DECRETO N.º 17.154, and two manuscript signatures below their respective titles O ADMINISTRADOR and O PRESIDENTE DO CONSELHO ADMINISTRATIVO. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | UM ESCUDO |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Banco Nacional Ultramarino's wartime 1 Escudo issues for Portuguese Guinea were produced by Bradbury Wilkinson at a moment when the colony's low-denomination paper currency was effectively doing the work that coins could not reliably supply. Metal shortages during the Second World War disrupted coin production and distribution across Portuguese Africa, pushing small-value notes into everyday transactional use they would not otherwise have seen.
Bradbury Wilkinson's intaglio work on minor colonial issues of this period is consistently fine, often exceeding what the denomination itself demanded.