目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | The Virgin Mary is depicted seated facing, nimbed and draped, cradling the Christ Child on her lap in a hieratic devotional composition. The figures are rendered in high relief with flowing robes, the Madonna shown in a three-quarter frontal pose. The Latin legend is disposed around the type within a beaded inner border, with small rosette stops separating the words. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | PAX. IN. VIRT. TVA. |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Charles Emmanuel I spent the 1590s in a disastrous series of campaigns attempting to seize the Marquisate of Saluzzo from France, a territorial obsession that had consumed Savoyard foreign policy for decades. The 1601 Treaty of Lyon finally resolved the dispute — but not in his favor. France retained Saluzzo, and Savoy received the territories of Bresse, Bugey, and Gex as compensation, fundamentally reshaping the duchy's geographic footprint westward into French-speaking lands.
This ducato was struck across the three years immediately following that settlement, a period of monetary reorganization as the duchy absorbed its new territories. MIR 587 documents this as a short-lived type.