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| 正面描述 | Central allegorical figure of Concordia depicted as a draped female figure, rendered in high relief, flanked by two cherubic putti in the lower field. The composition conveys harmony and unity in a Baroque-inspired artistic style. The date 1961 appears in the right field. The surrounding legend reads CONCORDIA SALUS along the upper arc and GERMANIAE along the lower arc, both in Latin capitals. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | CONCORDIA SALUS 1961 GERMANIAE |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Aureus Magnus was a private minting house operating in the mid-twentieth century that produced fantasy issues and bullion-adjacent pieces sold primarily to collectors rather than circulating as currency in any recognized jurisdiction. The "Concordia" branding was a common motif among such issuers of the period, lending a veneer of classical authority to what were essentially medallic pieces with no governmental backing.
The .980 fineness is notably higher than standard European ducats, which typically ran at .986 — a small but deliberate distinction that kept these pieces technically outside direct comparison to sovereign issues.