目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central fire altar depicted in the standard Sasanian reverse format, flanked by two attendant figures standing in profile facing the altar, each holding a staff or barsom bundle. The altar is rendered in a simplified, provincial style, raised on a stepped base. The design is enclosed within multiple concentric beaded and linear circular borders, typical of late Sasanian and post-Sasanian imitative drachms circulating in Central Asia. The overall composition closely follows Sasanian prototypes, reflecting the cultural and monetary conventions adopted by the Western Turkic Khaganate. |
| 背面文字 | Sogdian |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Phromo Kesaro — a Sinicized rendering of a name possibly derived from "Rome Caesar" — ruled as a minor king in the Zabulistan region under loose Turkic suzerainty during a period when Arab expansion from the west was grinding against the last pockets of non-Islamic rule in what is now Afghanistan. These coins imitate Sasanian drachm fabric long after the Sasanian empire itself had collapsed, a monetary conservatism driven by trade familiarity rather than political nostalgia.
The Arab conquest of Zabulistan was not completed until the mid-8th century, leaving this coinage in circulation during one of the final windows of pre-Islamic silver currency in the region.