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| 正面描述 | Highly stylized and degenerate bust of a Sasanian king facing right, derived from late Sasanian prototypes. The effigy retains vestiges of a mural crown or diadem surmounting the head, with flowing ribbon-like elements flanking the portrait. The facial features are rendered in a schematic, abstract manner characteristic of Indo-Sasanian imitative coinage. Surrounding the bust are cursive Pahlavi-derived inscription remnants in the field, heavily debased from the original legends. The overall style reflects the progressive artistic degeneration typical of post-Sasanian drachms struck under regional Indian dynasties. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (780-980) |
| 附加信息 |
The Gurjara-Pratihara dynasty controlled much of northern India during this period, and their coinage reflects a deliberate appropriation of Sasanian silver drachm types that had been circulating in the subcontinent for generations after the fall of the Sasanian Empire in 651 AD. Rather than striking wholly original designs, Pratiharas perpetuated degraded versions of these inherited types — a monetary pragmatism that kept trade flowing across established networks without demanding that merchants relearn their currency. The stylistic degeneration across the two-century production window is so pronounced that early and late specimens within this series are barely recognizable as the same type.