目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A stepped fire altar with two attendant figures (or lateral supports) flanking the base, shown in frontal view with flames rising from the altar top, all within a beaded border. A small pellet appears in the field before the altar, and a Pahlavi legend is inscribed to either side of the altar, identifying the king and his royal title. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Ardashir I struck these early drachms immediately after defeating the last Parthian king, Artabanus IV, at the Battle of Hormozdgan in 224 AD — effectively ending four centuries of Arsacid rule in a single engagement. The Sasanian coinage program that followed was a deliberate ideological break: where Parthian issues had grown increasingly debased and stylistically degraded, Ardashir's silver returned to a consistent standard and introduced a new fire altar reverse type that would anchor Persian royal coinage for the next four hundred years.
The Göbl II/2/2 classification places this among the earliest die pairings of the reign, before the portrait convention fully stabilized.