See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1 Drachm

Issuer Scordisci
Year 200 BC - 100 BC
Type Log in to see details
Value Log in to see details
Currency Drachm
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Log in to see details
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description A stylized horse galloping left, rendered in a highly abstracted Celtic manner with the body reduced to bold, rounded forms. The horse's neck curves dramatically upward, and pellet ornaments are visible above the back, a characteristic decorative element of Scordisci coinage. A circular symbol or wheel motif appears in the upper right field. The limbs are schematically indicated, and the overall composition demonstrates the characteristic Celtic reinterpretation of the Greek-Macedonian equestrian reverse type.
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage ND (200 BC - 100 BC)
Additional information

The Scordisci were a Celtic people who settled the confluence of the Sava, Drava, and Danube rivers following the failed Galatian invasion of Greece in 279 BC. Their coinage, including this drachm, derives from Macedonian prototypes — particularly issues of Philip II — progressively abstracted through successive generations of local die-cutting until the original imagery dissolves into near-geometric schematism. This stylistic drift is not degradation; it reflects deliberate local aesthetic choices operating outside any Greek institutional framework.

The Kostial and Göbl references place this piece within a well-documented but narrowly studied series.

YOU MAY ALSO LIKE