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| 表面の説明 | Left margin carries a standing female allegorical figure on a pedestal, with a large blue «ONE» underprint below. Centre vignette shows a naval battle scene with sailing vessels at sea. Lower right holds an oval portrait of a young woman in intaglio. A guilloche-framed numeral «1» occupies the upper right corner. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Entirely unprinted, plain paper reverse with no vignette, lettering, or ornamental work of any kind. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Hoyer & Ludwig were a Richmond lithographic firm pressed into currency production after the Confederacy's preferred Northern suppliers became inaccessible at the outbreak of war. Their output was lithographic rather than intaglio, which made Confederate notes far easier to counterfeit than federally-issued paper — a problem serious enough that the Richmond government received reports of Northern-produced fakes within months of circulation.
The $1 denomination was unusual for Confederate issues; most small-value paper was left to individual states and municipalities. By 1862, coin had nearly vanished from circulation in the South, forcing the central government into denominations it had initially avoided.