Danh mục
| Đơn vị phát hành | Danishmendid dynasty |
|---|---|
| Năm | 1104-1134 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Dirham (0.7) |
| Tiền tệ | Dinar (628/632-1598) |
| Chất liệu | Copper |
| Trọng lượng | 3 g |
| Đường kính | 21 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Album Islamic#1237 |
| Mô tả mặt trước | Nimbate bust of Christ facing |
|---|---|
| Chữ viết mặt trước | Greek |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Three line inscription. |
| Chữ viết mặt sau | Greek |
| Chữ khắc mặt sau |
KEPO AMHP ΓAZI |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc | ND (1104-1134) |
| ID Numisquare | 7237149436 |
| Thông tin bổ sung |
Historical Context: This 1 Dirham copper coin was issued by Amir Ghazi, a prominent ruler of the Danishmendid dynasty, during his reign from 1104 to 1134. The Danishmendids were a powerful Turkoman principality in Anatolia, strategically positioned between the Byzantine Empire, the Seljuks of Rum, and the Crusader states. Amir Ghazi was a formidable leader, expanding his domains and asserting independence through military prowess and the issuance of his own coinage, signifying distinct political and economic authority in early 12th-century Anatolia.
Artistry: While the specific engraver remains anonymous, this coin exemplifies the early Anatolian Turkoman stylistic school, characterized by a blend of Islamic epigraphy and local design elements. Copper coinage of this period often prioritized legibility of inscriptions over intricate figural art. The design typically features Kufic or early Naskh script, displaying the ruler's name, titles, and religious declarations. The "Dirham" denomination on a copper coin indicates its function as a local token or fractional currency, reflecting regional economic practices.
Technical/Grading: Struck from copper, weighing 3 grams and measuring 21 millimeters, this coin typically exhibits variable strike quality. High-points for grading are the most prominent raised elements of the Arabic calligraphy, particularly the central legends. Due to the nature of early medieval copper coinage, examples often show irregular flans, off-center strikes, and areas of weakness, especially towards the edges. A well-struck specimen displays sharp, clear inscriptions with minimal die wear, a significant rarity for these issues.