Danh mục
| Đơn vị phát hành | Atabegs of Fars (Greater Iran) |
|---|---|
| Năm | 1175-1203 |
| Loại | Standard circulation coin |
| Mệnh giá | 1 Dinar |
| Tiền tệ | Dinar (628/632-1598) |
| Chất liệu | Gold |
| Trọng lượng | 2.10 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Album Islamic#1927H |
| Mô tả mặt trước | Central inscription with Salghurid tamgha at center, marginal inscription surrounding. |
|---|---|
| Chữ viết mặt trước | Arabic |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Four line central inscription, marginal inscription surrounding. |
| Chữ viết mặt sau | Arabic |
| Chữ khắc mặt sau | |
| Cạnh | Plain. |
| Xưởng đúc | |
| Số lượng đúc |
ND (1175-1203) - - |
| ID Numisquare | 4383065670 |
| Thông tin bổ sung |
Historical Context: This 1 Dinar coin belongs to Tughril ibn Sunqur, a ruler of the Salghurid Atabegs of Fars (1175-1203 CE), a powerful local dynasty in southern Iran. Operating during the decline of the Great Seljuk Empire, the Salghurids maintained significant autonomy and cultural vibrancy. Coinage like this dinar was crucial, not merely as currency, but as a potent declaration of independent rule and economic stability in a region often fragmented by competing powers, asserting their authority through the minting of gold.
Artistry: The aesthetic of this dinar, typical of Islamic coinage from this era, is primarily calligraphic. While the specific engraver remains anonymous, the design adheres to the established epigraphic tradition, emphasizing the beauty and legibility of Arabic script. Design elements typically include the central Kalima, Quranic verses, ruler's name, titles, and mint details, rendered in elegant Kufic or Naskh script. This textual focus reflects Islamic aniconism and the importance of religious and political messaging, serving as both art and proclamation.
Technical/Grading: Struck in gold with a weight of 2.10 grams, this dinar represents the regional standard for a full dinar under the Atabegs of Fars. Key grading considerations include the completeness and sharpness of the central and marginal legends, the coin's primary design elements. High-points for wear or strike quality are the clarity of individual letterforms and overall die centering. A well-preserved example exhibits crisp, full legends, indicating a strong strike and minimal circulation wear on its delicate calligraphic details.