| Emisor | Hamadan Sultanate |
|---|---|
| Año | 1153 |
| Tipo | Standard circulation coin |
| Valor | 1 Dinar |
| Moneda | Dinar (628/632-1598) |
| Composición | Gold |
| Peso | 3.00 g |
| Diámetro | |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | A#1691M |
| Descripción del anverso | |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | |
| Escritura del reverso | |
| Leyenda del reverso | |
| Canto | Plain. |
| Casa de moneda | |
| Tirada |
548 (1153) - - |
| ID de Numisquare | 1544635760 |
| Información adicional |
Historical Context: This 1 Dinar coin, issued in 1153 by the Hamadan Sultanate from the Askar Mukram mint, reflects the turbulent reign of Malikshah III. As a Seljuq Sultan of Iraq, Malikshah III (Mu'izz al-Din Malikshah b. Mahmud) governed during a period of profound fragmentation within the Great Seljuq Empire. His rule was marked by constant civil strife and rival claimants. The issuance of a gold dinar, a potent symbol of sovereignty, underscored his claim to legitimacy amidst this political instability.
Artistry: The engraver, typical for Islamic coinage, remains anonymous, with the design adhering strictly to the Seljuq epigraphic school. Figurative imagery is absent; artistry focuses entirely on intricate Arabic calligraphy. The obverse typically features the Kalima (Shahada) and a religious invocation. The reverse displays the names and titles of the reigning Abbasid Caliph and Sultan Malikshah III, alongside the mint Askar Mukram and the year 1153 (548 AH). This textual composition emphasizes clarity and piety.
Technical/Grading: This 3.00 gram gold dinar presents its highest points in the prominent ascenders and descenders of the Kufic or Naskh script. For optimal grading, these areas should exhibit minimal wear. Technical strike quality varies; well-struck examples feature full, sharp legends across the flan, with clear delineation of the mint and date. Less well-struck specimens may show weakness, particularly on outer legends, due to the manual striking process. Planchet integrity and surface preservation are crucial.