Catalog
| Issuer | Samanid dynasty |
|---|---|
| Year | 1001 |
| Type | Standard circulation coin |
| Value | 1 Dinar |
| Currency | Dinar (819-999) |
| Composition | Gold |
| Weight | 3.59 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | A#1476C |
| Obverse description | |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | |
| Reverse script | |
| Reverse lettering | |
| Edge | Smooth. |
| Mint | |
| Mintage |
391 (1001) - - |
| Numisquare ID | 6131566780 |
| Additional information |
Historical Context: This 1 Dinar coin, issued in 1001 CE from Nishapur, represents a poignant vestige of the Samanid dynasty's final struggles. Struck under Isma'il II bin Nuh II (more commonly known as Abu Ibrahim Isma'il al-Muntasir), it dates to a period of intense geopolitical upheaval. Isma'il II was the last effective Samanid ruler, bravely attempting to reclaim his ancestral domains from the encroaching Qarakhanids and Ghaznavids. The issuance of coinage from a key city like Nishapur, even amidst such decline, underscores his brief but determined efforts to restore the Samanid state against overwhelming odds.
Artistry: Consistent with the Islamic numismatic tradition of the era, the artistry of this Dinar is primarily epigraphic. While specific engravers remain anonymous, the coin reflects the established Samanid stylistic school, characterized by elegant Kufic calligraphy. The design features the central Kalima (declaration of faith) on both obverse and reverse, surrounded by marginal legends detailing the mint (Nishapur), date (1001 CE), and often Quranic verses or the ruler's name and titles. The aesthetic emphasis lies in the clarity and balance of the script, serving as both a statement of faith and dynastic authority.
Technical/Grading: This gold Dinar, weighing 3.59 grams, adheres to the standard weight for its denomination. Key high-points for grading include the legibility of the central legends, particularly the Kalima, and the clarity of the mint name and date in the marginal legends. The technical strike quality can vary; while Nishapur mints generally produced well-struck coins, some degree of flatness on the high relief elements of the calligraphy or minor off-centering is common due to the manual striking process. The overall roundness of the flan and the preservation of the delicate Kufic script are critical factors.