| Émetteur | Tabaristan, Alids of |
|---|---|
| Année | 928 |
| Type | Standard circulation coin |
| Valeur | 1 Dinar |
| Devise | Dinar (628/632-1598) |
| Composition | Gold |
| Poids | 3.80 g |
| Diamètre | |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | A#E1524 |
| Description de l’avers | |
|---|---|
| Écriture de l’avers | Arabic |
| Légende de l’avers | |
| Description du revers | |
| Écriture du revers | Arabic |
| Légende du revers | |
| Tranche | Plain. |
| Atelier | |
| Tirage |
316 (928) - - |
| ID Numisquare | 1047856050 |
| Informations supplémentaires |
Historical Context: This 1 Dinar, issued in 928 AD (315/316 AH) by al-Hasan b. al-Qasim, signifies the Alid dynasty's assertion of authority in Tabaristan, a vital Caspian region. Al-Hasan, a prominent Zaydi Imam, maintained Alid independence amidst regional power dynamics, often contending with the Samanids. The mint, al-Muhammadiya, a historically significant mint, underscores the Alid claim to broader legitimacy or control over key economic centers, reflecting a period of intense political fragmentation and localized sovereignty amidst declining Abbasid power.
Artistry: Islamic coinage of this era, particularly gold dinars, is aniconic and deeply epigraphic. The stylistic school is Kufic calligraphy, exhibiting regional variations typical of Caspian issues. While specific engravers are rarely identifiable, the die-cutting quality reflects the mint's artisans' skill. Legends, comprising religious declarations (Shahada) and the ruler's name/titles, are arranged in concentric circles and central fields, designed for legibility and symbolic impact, adhering to established numismatic typology with distinct Alid titular conventions.
Technical/Grading: For this type, critical grading points include the clarity and completeness of Kufic legends, particularly inner and outer marginal legends, often susceptible to incomplete striking or die wear. Flan integrity is paramount; issues struck on irregular or cracked planchets are common, making a well-rounded, solid flan highly desirable. Preservation of original luster, though frequently absent on circulated examples, enhances appeal. A strong, centered strike fully rendering intricate calligraphic details without weakness or double-striking represents a premium example for this Alid gold issue.