| Issuer | Zayyanid dynasty |
|---|---|
| Year | 1430-1464 |
| Type | Standard circulation coin |
| Value | Dinar (1) |
| Currency | Dinar (1236-1555) |
| Composition | Gold |
| Weight | 4.65 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | A#519 |
| Obverse description | |
|---|---|
| Obverse script | Arabic |
| Obverse lettering | |
| Reverse description | |
| Reverse script | Arabic |
| Reverse lettering | |
| Edge | Plain. |
| Mint | |
| Mintage |
ND (1430-1464) - - |
| Numisquare ID | 1264151350 |
| Additional information |
Historical Context: The 1 Dinar of Abul Abbas Ahmad I, issued by the Zayyanid dynasty, marks the Kingdom of Tlemcen (Tilimsan) from 1430-1464. Ahmad I's reign was characterized by internal strife and external pressures from Marinids, Hafsids, and Aragon. Despite these challenges, the continuous minting of gold dinars like this one affirmed Zayyanid sovereignty and their efforts to maintain economic stability and trade across the Maghreb, serving as a tangible record of their enduring presence.
Artistry: The artistry of this 1 Dinar is purely epigraphic, consistent with Islamic numismatic traditions. While the engraver remains anonymous, the coin reflects the refined calligraphic style of 15th-century Maghrebi mints. Its design typically features the Shahada and often Quranic verses, alongside the ruler's name, titles, mint (Tilimsan), and date. The elegance of the Kufic or Naskh script is the paramount artistic element, with meticulous attention to character form and arrangement.
Technical/Grading: This gold dinar, weighing 4.65 grams, is typically struck on a broad, thin flan. High-points for wear or strike quality are the most raised elements of the central calligraphic legends, including initial letters. Optimal examples display a full, sharp strike with clear inscriptions across both sides. Minor strike inconsistencies, such as slight peripheral weakness or subtle off-center strikes, are common. Due to gold's softness, even minimally circulated specimens may exhibit minor handling marks or subtle planchet irregularities.