カタログ
| 表面の説明 | Crude, stylized bust facing right, rendered in a barbaric artistic tradition. The head displays an elaborate radiate or spiky crown-like treatment, with coarse facial features indicated by bold, shallow incisions. The portrait is executed in a heavily debased imitative style derived from late Roman imperial prototypes, with no legible inscription in the field. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Gothic presence in the Taman Peninsula — the eastern tip of Crimea projecting into the Kerch Strait — during the late third and early fourth centuries placed these communities at the intersection of Roman commercial networks and steppe trade routes. Billon coinage of this type reflects direct Roman monetary influence on Gothic-controlled territories at a moment when Gothic groups were simultaneously raiding Roman provinces and absorbing Roman economic practices.
Attribution to this region and period remains provisional; the cross motif has prompted debate over whether these pieces predate the Christianization associated with Wulfila's mission in the 340s or reflect later interpolation in the dating.