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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse depicts the enthroned figure of the Madonna (Patrona Hungariae), shown facing, crowned and draped in flowing robes, holding the Christ Child in her left arm. Beneath the Madonna's feet appears a small escutcheon, likely bearing the arms of the Zrinski family, serving as the counterstamp or issuer's mark. The figure is rendered in the late Gothic hammered style typical of Hungarian denars of this period. A beaded border frames the central device, with the abbreviated Latin legend referencing the Patroness of Hungary arranged around the periphery. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | PATRONA * * VNGARI (Translation: Patroness of Hungary.) |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Nikola III Zrinski issued these denars under the authority granted to Croatian magnates during the catastrophic political vacuum following the Ottoman destruction of the Hungarian-Croatian kingdom at Mohács in 1526. The battle killed King Louis II and left the region fragmented between Habsburg claimants and Ottoman expansion, briefly allowing powerful border lords like Zrinski to exercise quasi-regal minting privileges they would not otherwise have held.
The five-year window of this issue closes precisely when Habsburg administrative consolidation began curtailing such autonomous coinage.