1 Denar Christianity

发行方 North Macedonia
年份 2000
类型 Commemorative circulation coin
面值 1 Denar (1 денар)
货币 Second denar (1993-date)
材质 Nickel brass
重量 5.1 g
直径 23.8 mm
厚度 1.5 mm
形状 Round
制作工艺 Milled
方向 Medal alignment ↑↑
雕刻师 Biljana Unkovska
流通至
参考资料 KM#9, Schön#14
正面描述 Ornamented cross
正面文字 Latin
正面铭文 NATIONAL BANK OF THE REPUBLIC OF MACEDONIA 2000
背面描述 Byzantine copper folis coin
背面文字 Cyrillic, Latin
背面铭文 НАРОДНА БАНКА НА РЕПУБЛИКА МАКЕДОНИЈА ДЕНАР 1 DENAR
(Translation: NATIONAL BANK OF MACEDONIA DENAR 1 DENAR)
边缘 Plain
铸币厂
铸造量 2000 - - 3 088 000
Numisquare 编号 2370693170
附加信息

Historical Context: The year 2000 marked a significant juncture for the Republic of North Macedonia, a period of consolidating its post-Yugoslav independence and asserting its unique cultural identity. This 1 Denar coin, commemorating "Christianity," underscores the profound historical and spiritual roots of the Macedonian people, particularly the enduring influence of the Macedonian Orthodox Church. It serves as a national affirmation of its Christian heritage at the dawn of a new millennium, reflecting a deep connection between faith and national identity.

Artistry: The artistic rendition of the "Christianity" theme on the reverse typically features a stylized cross, often within an architectural motif referencing the nation's rich Byzantine monastic tradition. While the specific engraver remains uncredited for this circulation issue, the design adheres to a modern, clean numismatic aesthetic, effectively blending traditional religious symbolism with contemporary minimalist lines. The obverse bears the national emblem, maintaining governmental authority in a balanced and clear composition.

Technical/Grading: Struck in nickel brass, the coin's technical qualities generally present a sharp strike, allowing for good detail. Key high-points for evaluation include the central intersection and arms of the cross, or the delicate details of any depicted architectural elements. Strong examples exhibit full luster and crisp delineation of the design. Wear typically manifests on the highest relief areas, such as the cross's center or the outer edges of any design elements, impacting finer details as circulation progresses.

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