Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Royal Mint |
|---|---|
| Year | 1820 |
| Type | Coin pattern |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | GEORGIVS III DEI GRATIA· |
| Reverse description | Log in to see details |
| Reverse script | Latin |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
George III died in January 1820 after a decade of incapacity, and the Royal Mint had been quietly preparing coinage for the transition. This pattern crown is among several trial pieces produced as the mint worked toward a new coinage standard — the same process that would culminate in Pistrucci's St George reverse becoming the definitive type under George IV. Whether this specific pattern was a serious contender or an exploratory strike is debated; pattern crowns of this transitional moment exist in multiple die combinations, and KM#PnB80 represents one branch of that unresolved lineage.