カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A stylized bust of a lion facing right is rendered within a square incuse punch at the center of the reverse field. The design is deeply recessed and schematically executed, displaying the characteristic punch-mark technique associated with early Indonesian coinage. The surrounding field is heavily textured from the hammering process, and the beveled serrated edge — mirroring the obverse — is clearly visible. No inscriptions or additional devices accompany the central punch. The overall composition reflects the abstracted artistic vocabulary of the Melayu Kingdom monetary tradition. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Beveled and serrated |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Melayu Kingdom, centered on Sumatra and at times subordinate to Srivijaya before asserting independence in the thirteenth century, produced copper coinage that circulated alongside imported Chinese cash and locally cast tin pieces. The beveled and serrated edge treatment on this type is a deliberate minting characteristic, not wear — its precise function remains debated, though similar edge treatments on Southeast Asian issues are generally associated with authentication against clipping or forgery in high-turnover market trade.