Catalogus
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| Uitgever | Banco Central de Reserva de El Salvador |
|---|---|
| Jaar | 1971-1977 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Colón (1892-date) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Black intaglio print on multicolour underprint. Portrait vignette of Juan Cañas at right, with date printed at upper left. The issuing authority inscription runs across the note face. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Central vignette of Christopher Columbus in portrait, rendered in intaglio against a multicolour guilloche underprint. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banco Central de Reserva de El Salvador maintained a long-standing relationship with Thomas De La Rue throughout the mid-twentieth century, and this P#115 series reflects that continuity — the 1 Colón denomination was a genuine workhorse note, handling low-value retail transactions in an economy still heavily dependent on cash through the 1970s. The six-year date span suggests staggered print orders rather than a single large run, a common arrangement De La Rue offered clients who needed flexible replenishment without full replate costs.
High-circulation 1 Colón notes from this period frequently show heavy soiling along the vertical fold lines, the result of folding into small wallet compartments standard in rural El Salvador at the time.