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| 表面の説明 | Bare-headed right-facing effigy of Charles Vyner Brooke, third and last White Rajah of Sarawak, rendered in high relief with fine hair detail. The bust is truncated at the neck and centrally positioned within a toothed inner border of radial milling. The circumferential legend reads C. V. BROOKE RAJAH in the upper arc and SARAWAK in the lower arc, separated by raised dot stops. The overall engraving style is characteristic of early twentieth-century British colonial coinage, with a naturalistic portrait and bold, evenly spaced lettering. |
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| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Uniface trial piece; the reverse presents a plain, unfinished brass field bearing no intentional design elements. Scattered across the lower-central portion of the flan are irregular, overlapping circular scratch marks or cancel lines, consistent with deliberate defacement or cancellation of the trial piece to prevent its use as currency. The field displays natural toning and minor surface irregularities typical of an uninscribed test striking. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Trial pieces from the Sarawak raj are poorly documented, and uniface strikes — showing only the obverse die with a plain or blank reverse — were typically produced to test die alignment, metal flow, or planchet preparation before committing to a full production run. Charles Vyner Brooke had assumed power in 1917 following his father Charles Anthoni's death, and the 1920 coinage represents one of his earliest independent issues. The Royal Mint in London struck Sarawak's coins throughout this period under contract.