Danh mục
| Đơn vị phát hành | Malay peninsula |
|---|---|
| Năm | |
| Loại | Emergency coin |
| Mệnh giá | 1 Cash |
| Tiền tệ | |
| Chất liệu | Tin |
| Trọng lượng | 1.26 g |
| Đường kính | 21.3 mm |
| Độ dày | 0.75 mm |
| Hình dạng | Round with a square hole |
| Kỹ thuật | |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo |
| Mô tả mặt trước | Four Chinese ideograms read clockwise. |
|---|---|
| Chữ viết mặt trước | Chinese (traditional, regular script) |
| Chữ khắc mặt trước |
祥 寶 符 通 (Translation: Xiangfu (3rd era of Zhenzong, 1008-1013) / Circulating currency) |
| Mô tả mặt sau | |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | Plain |
| Xưởng đúc | |
| Số lượng đúc |
ND - - |
| ID Numisquare | 1121912440 |
| Thông tin bổ sung |
Historical Context: This 1 Cash Xiangfu Tongbao, a tin imitation from the Malay peninsula, reflects the profound economic influence of China’s Northern Song Dynasty (960-1127 AD) on Southeast Asia. The original Xiangfu Tongbao coins were issued in China during Emperor Zhenzong’s reign (1008-1016 AD). Such local imitations, likely produced concurrently or shortly after, attest to the widespread acceptance of Chinese cash currency as a regional standard, facilitating daily commerce and demonstrating sophisticated trade.
Artistry: The coin's design directly emulates its Song imperial prototypes. The obverse features the four Chinese characters "Xiangfu Tongbao" (祥符通寶), meaning "Circulating Treasure of Xiangfu," arranged around a central square hole, read top-bottom-right-left. While specific engravers for these Malay imitations are unknown, their creators sought to replicate the elegant calligraphic styles characteristic of Song dynasty coinage. Fidelity to the original imperial script varied, reflecting local artisans' interpretation, not a formal school.
Technical/Grading: Struck or cast in tin, this coin (1.26 grams, 21.3 millimeters) displays characteristics typical of local imitations in a softer metal. Key high-points for evaluation include the clarity and sharpness of the four characters, the definition of the rims, and the integrity of