目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | Central square hole flanked by four Chinese characters arranged in cruciform fashion around the perforation, read top to bottom and right to left. The four characters render the legend Kai Yuan Tong Bao, a local imitation of the Tang dynasty prototype, with the character for Kai (開) rendered in a regional variant form. The characters are boldly cast in relief within a plain, unbordered field, exhibiting the somewhat irregular stroke rendering characteristic of Semirechye local production. A raised rim encircles the entire obverse. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (701-850) - Kai like 周 (local variation) - ND (701-850) - Kai like 開 (direct imitation) - ND (701-850) - Kai like 関 (local variation) - |
| 附加信息 |
The Kaiyuan Tongbao, introduced by Tang China in 621 AD, became so commercially dominant across Central Asia that regional rulers in Semirechye — the "Seven Rivers" region straddling modern Kazakhstan and Kyrgyzstan — found it easier to imitate the coinage than to devise their own. These local casts typically shed the crescent and pellet marks found on Tang reverses, producing the plain-reverse type. The Türgesh and later Karluk-period polities both struck such imitations, making precise attribution within the 701–850 window genuinely difficult without archaeological provenance.