Catalog
See full images - free registration
Continue with Google - no registration!
or register with email
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
1 Cash - Cảnh Hưng Nội Bảo
| Issuer | Empire of Vietnam |
|---|---|
| Year | 1740-1776 |
| Type | Log in to see details |
| Value | 1 Cash |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Plain reverse featuring a central square hole surrounded by a smooth, flat field with no inscription or decorative elements. A raised inner rim borders the square perforation, and a raised outer rim defines the coin's edge, both cast as part of the uniface design typical of Vietnamese cash coinage of this period. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Cảnh Hưng was the reign title of Lê Hiển Tông, who ruled for over four decades — the longest reign of any Lê dynasty emperor — yet exercised almost no real power. The Trịnh lords controlled the north absolutely during this period, and coin production reflected their administration rather than any imperial initiative. Multiple cash types were issued under the Cảnh Hưng title across different decades, making precise attribution within the series genuinely difficult without die study.
Barker's subdivision of this type from the broader Cảnh Hưng series rests largely on fabric and casting characteristics rather than textual distinction.