| Đơn vị phát hành | Cologne, City of |
|---|---|
| Năm | 1739-1740 |
| Loại | Coin pattern |
| Mệnh giá | 1 Pfennig (1⁄288) |
| Tiền tệ | Thaler |
| Chất liệu | Silver |
| Trọng lượng | 2.3 g |
| Đường kính | 22 mm |
| Độ dày | 1 mm |
| Hình dạng | Round |
| Kỹ thuật | |
| Hướng | Medal alignment ↑↑ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | Noss Co IV#631 (comments) |
| Mô tả mặt trước | Crowned double-headed imperial eagle with city arms on breast. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | 2-line inscription |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | BRODT /PENNING |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (1739-1740) - Noss IV 631 (comments) - 550 |
| ID Numisquare | 1663772490 |
| Thông tin bổ sung |
Historical Context: This 1739-1740 silver 1 Brodtpfennig pattern strike originates from the Free Imperial City of Cologne, a self-governing entity within the Holy Roman Empire. The early 18th century saw Cologne maintain significant autonomy. The "Brodtpfennig" (bread penny) denomination indicates a municipal welfare initiative, likely for distributing bread or charitable aid. As a pattern strike, this coin represents a proposed or trial issue, suggesting an administrative effort to introduce new coinage or reform social welfare programs.
Artistry: While the specific engraver for this Cologne Brodtpfennig is unrecorded, its design reflects the prevailing Baroque aesthetic of early 18th century German states. This style is characterized by detailed, robust compositions. For a civic issue, the design would prominently feature the arms of the City of Cologne—three crowns—symbolizing its status. Legends would denote the denomination, issuer, and year. The careful execution typical of a pattern strike aimed to present the proposed design with clarity, showcasing the city's authority and charitable purpose.
Technical/Grading: Struck in silver (2.3 grams, 22 millimeters), this pattern strike exhibits superior technical qualities. Pattern strikes were produced with exceptional care, resulting in a full, sharp impression. High-points, such as the intricate details of the three crowns or any allegorical elements, would be fully rendered. The planchet would likely be well-prepared, contributing to a pristine surface and an even strike. The reference Noss Co IV#631, with its comments, underscores the significance and rarity of this trial piece, often reflecting excellent preservation.