| Emisor | Perugia (Papal States) |
|---|---|
| Año | 1513-1521 |
| Tipo | Standard circulation coin |
| Valor | 1 Baiocco |
| Moneda | Groschen (1188-1534) |
| Composición | Silver |
| Peso | 0.48 g |
| Diámetro | 16 mm |
| Grosor | |
| Forma | Round |
| Técnica | |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | MIR#707, Munt#1, Berman#787 |
| Descripción del anverso | Lion of Perugia |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso |
٠DE PERVSIA٠ (Translation: Of Perugia) |
| Descripción del reverso | Inscription on two rounds |
| Escritura del reverso | Latin |
| Leyenda del reverso | ٠S٠HERCVL ANVS |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (1513-1521) - - |
| ID de Numisquare | 1053509790 |
| Información adicional |
Historical Context: This 1 Baiocco, struck in Perugia during Leo X's pontificate (1513-1521), encapsulates a pivotal era for the Papal States. Giovanni di Lorenzo de' Medici, a lavish patron of the arts and a High Renaissance figure, presided over a papacy marked by escalating tensions with Martin Luther and the Reformation's dawn. Perugia, a significant city, maintained civic autonomy, issuing coinage under papal authority that reflected its complex political landscape and the period's profound changes.
Artistry: As an "Anonimous" issue, the engraver remains unrecorded, typical for provincial mints. The design adheres to the Early to High Renaissance stylistic school, characterized by a move towards classical balance. Given its 16mm diameter, the design is compact, likely featuring the crossed Keys of Saint Peter surmounted by the Papal Tiara, symbolizing papal authority, with a civic or value-indicating legend on the reverse. The absence of Leo X's portrait underscores its civic minting tradition.
Technical/Grading: Struck in silver, weighing 0.48 grams and measuring 16 millimeters, this baiocco exemplifies early modern minting. High-points for assessment include the Papal Tiara's crowns and cross, and the keys' bows. Due to manual striking, planchets are often irregular, and strikes can be off-center or show weakness, especially on peripheral motifs. Full details are rare; specimens frequently exhibit circulation wear, minor flan cracks, or surface imperfections inherent to their production and extensive use.