| Issuer | Perugia (Papal States) |
|---|---|
| Year | 1513-1521 |
| Type | Standard circulation coin |
| Value | 1 Baiocco |
| Currency | Groschen (1188-1534) |
| Composition | Silver |
| Weight | 0.48 g |
| Diameter | 16 mm |
| Thickness | |
| Shape | Round |
| Technique | |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | MIR#707, Munt#1, Berman#787 |
| Obverse description | Lion of Perugia |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
٠DE PERVSIA٠ (Translation: Of Perugia) |
| Reverse description | Inscription on two rounds |
| Reverse script | Latin |
| Reverse lettering | ٠S٠HERCVL ANVS |
| Edge | |
| Mint | |
| Mintage |
ND (1513-1521) - - |
| Numisquare ID | 1053509790 |
| Additional information |
Historical Context: This 1 Baiocco from Perugia, 1513-1521, situates it within Pope Leo X's pontificate. His reign, a zenith of the High Renaissance, saw lavish artistic patronage and aggressive political efforts to consolidate Papal States control, notably over Perugia. Concurrently, Leo X confronted the nascent Protestant Reformation. The "Anonimous" nature suggests a standardized Papal issue or a local Perugian piece without explicit papal portraiture, reflecting the Papacy's drive to regularize currency across its domains amidst a period of profound ecclesiastical and geopolitical upheaval.
Artistry: Specific engravers for this "Anonimous" Baiocco from Perugia during the early 16th century are undocumented. The stylistic school, however, is the High Renaissance. While perhaps not matching the refinement of major Roman mint issues, Perugian coinage would reflect contemporary artistic sensibilities, typically featuring classical influences, Papal heraldic devices (tiara, keys), and possibly local religious iconography. The design prioritizes clear legibility and symbolic representation over intricate artistic flourishes, common for mass-produced circulating currency of the era.
Technical/Grading: Given its small size (16mm, 0.48gg silver), this 1 Baiocco is highly susceptible to wear and striking imperfections. Key grading points include the sharpness of the Papal tiara and keys, often the highest relief. Weak strikes are common on small planchets, leading to off-centering or incomplete legends. Wear typically obliterates fine details on the shield, cross, or any figures. Thin planchets are also prone to bending. Excellent examples will exhibit a full strike, minimal circulation wear, and clear, centered legends.