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| 正面描述 | Crude laureate bust of the emperor facing right, rendered in a barbarous imitative style with heavy, irregular die work. The portrait, loosely derived from official Roman coinage of Marcus Aurelius, is surrounded by a degenerate Latin legend that has become largely illegible through successive copying. The fields show pronounced surface irregularities consistent with primitive hammered production. A suspension hole is pierced near the top of the flan, suggesting the piece was used as a pendant or personal ornament. |
|---|---|
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Germanic imitations of Roman aurei circulated widely beyond the frontier as prestige objects and diplomatic gifts rather than transactional currency. This piece copies types of Marcus Aurelius — an emperor whose coinage remained in active imitation long after his death, partly because his reign coincided with substantial Roman payments to frontier tribes designed to purchase short-term peace. The irony that tribes receiving those payments then reproduced the coins is not lost on specialists.
The Arslan corpus leaves this type unassigned, which itself signals something: these frontier gold pieces resist systematic classification, their die links and tribal attributions still contested.