Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Cambodia |
|---|---|
| Year | 1848 |
| Type | Coin pattern |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | The reverse displays a frontal elevation of a Khmer royal palace pavilion or prasat, rendered in precise architectural detail with tiered rooflines, arched central portal, decorative corner finials with flame or naga motifs, and a tall spire surmounted by a foliate crown at the apex. The structure is depicted symmetrically and fills the central field, conveying the grandeur of traditional Cambodian royal architecture. The design is surrounded by a continuous toothed border matching that of the obverse, with the field left plain above and below the structure. |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Reeded |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
This pattern was struck in the context of King Ang Duong's effort to modernize Cambodian coinage after decades of reliance on Vietnamese-administered currency and the crude bullet-shaped tical pieces that preceded it. Ang Duong, who came to power under Siamese and Vietnamese suzerainty, pursued monetary reform partly as an assertion of royal authority — the 1848 patterns represent early exploratory strikes, likely produced or supervised with outside technical assistance, that never reached circulation.
White metal trial pieces of this type are rarely encountered; most known examples have been in institutional or major private collections since the nineteenth century.