Catalogus
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| Uitgever | Lombardy |
|---|---|
| Jaar | 568-690 |
| Type | Log in om details te zien |
| Waarde | 1/4 Siliqua = 1⁄32 Tremissis |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | An open staurogram (Christogram cross with the rho element) occupies the centre of the field, with a small dot or pellet positioned above the crossbar, and a six-pointed star in each lateral field. The entire device is enclosed within a wreath border rendered in the hammered style. The composition is bold and schematic, consistent with Lombard ecclesiastical-influenced coinage of the late sixth to seventh century. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | ND (568-690) |
| Aanvullende informatie |
The Lombards entered Italy in 568 under Alboin, displacing Byzantine authority across the north with unusual speed, yet their earliest silver coinage mimicked imperial types — invoking Justin II's name on coins struck decades after any meaningful Byzantine presence in Lombardy had collapsed. This was political theater in metal: legitimacy borrowed from Constantinople by a people who had just dismantled its administrative reach.
The open staurogram variant with dot above is a recognized sub-type within this series, distinguishable from related issues catalogued across DOC, MEC, and BMC — the slight divergence in cross form reflecting workshop variation rather than intentional iconographic revision.