カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Two schematically rendered standing figures face one another, each raising an inner hand to jointly support a long processional cross between them; the composition is a barbaric adaptation of the Victory-and-emperor or concordia type drawn from contemporary Byzantine silver coinage. The figures are depicted in simplified robes with incised linear folds, and the cross is surmounted by a small globus or pellet above the crossbar. The whole design is contained within a beaded border, with the field otherwise plain, consistent with the crude but vigorous die-cutting tradition of Gepid Sirmium. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Gepids occupied Sirmium — the strategically vital Pannonian city on the Sava River — following the collapse of Attila's empire in 454, and maintained the fiction of imperial legitimacy by striking coinage in the name of the reigning eastern emperor. Issuing silver fractions under Anastasius I's name was a political calculation, not a tribute: it kept local commerce credible and Roman merchants cooperative without surrendering any actual authority to Constantinople.
The MEC I unlisted status places this among the less-documented Gepid fractional issues, likely a product of Sirmium's mint during the contested years before Theoderic seized the city from the Gepids in 504.