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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse displays a bold long cross extending to the coin's periphery, dividing the field into four quadrants each containing pellets or small decorative devices, a common motif on contemporary Scandinavian bracteate-influenced coinage. The peripheral legend in uncial Latin characters reads MONETA ASLOIE (Money of Oslo), identifying the Oslo mint as the place of issue. The cross design served both as a religious symbol and as a practical cutting guide for halving or quartering the coin. The flan edges are ragged and uneven, consistent with hand-hammered production on a roughly prepared silver blank. The overall style aligns closely with other Norwegian penning fractions catalogued by Skaare for this period. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | Oslo Mint |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Håkon Magnusson was Duke of Norway during this period, not yet king — he wouldn't take the throne until 1299. These fractional pennings were struck as Norway's monetary system pushed into increasingly small denominations to meet the demands of petty commerce, a policy that produced coins so light and thin that die-to-flan contact was inherently inconsistent. Skaare 242 is among the more elusive of the ducal fractions.