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| 正面描述 | Central field features the stylized Genoese castle (Castello) depicted in architectural elevation within a beaded inner circle, rendered in the angular, abstracted Gothic style characteristic of 13th-century Genoese coinage. Four large wedge-shaped or arrow-head ornaments radiate outward from the beaded circle toward the coin's rim, alternating with small pellet stops in the four quadrants. A cross pattee appears at the apex above the castle. The surrounding legend in uncial Latin reads ✠ • I • A • N • V • A ✽, spelling out IANVA (the Latin name for Genoa), separated by pellet punctuation marks whose precise form varies by emission class. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Genoa began striking its full gold Genovino around 1252, the same year Florence launched the florin — a near-simultaneous assertion of commercial confidence by two rival cities that would reshape Mediterranean trade finance. The Quartarola is the quarter denomination of that issue, produced for transactions where the full genovino was too large a unit. At .999 fineness, Genoese gold maintained a reputation strict enough that Levantine and North African merchants accepted it without assay.
The MIR references span multiple die groupings across the second half of the 13th century, and attribution to a specific decade within this bracket typically rests on subtle gate-tower die characteristics rather than any mint record.