1/4 Ashrafi - Mir Usman Ali Khan

発行体 Princely state of Hyderabad
年号 1919-1948
種類 Standard circulation coin
額面 1/4 Ashrafi (4)
通貨 Rupee (1762-1950)
材質 Gold (.910)
重量 2.794 g
直径
厚さ
形状 Round
製造技法 Milled
向き
彫刻師
流通終了年
参考文献 Y#55
表面の説明 The Charminar, a monument in Hyderabad constructed in 1591.
表面の文字体系
表面の銘文
裏面の説明 Inscription
裏面の文字体系
裏面の銘文
鋳造所
鋳造数 1337 (1919) - Year 8 -
1342 (1924) - Year 13 -
1342 (1924) - Year 14 -
1345 (1926) - Year 16 -
1349 (1931) - Year 20 -
1353 (1935) - Year 23 -
1354 (1935) - Year 25 -
1357 (1938) - Year 29 -
1360 (1941) - Year 31 -
1367 (1948) - Year 38 -
Numisquare ID 1012258700
追加情報

Historical Context: This 1/4 Ashrafi represents the coinage of Mir Usman Ali Khan, the seventh and last Nizam of Hyderabad, reigning from 1911 to 1948. Struck between 1919 and 1948, this gold denomination underscores Hyderabad's economic strength and asserted sovereignty. This era marked the wane of British paramountcy and the rise of Indian independence. As India's largest and wealthiest princely state, Hyderabad maintained its unique currency, with the Ashrafi symbolizing its independent financial standing.

Artistry: The design adheres to the traditional Indo-Islamic numismatic aesthetic, characterized by aniconic nature and elegant calligraphy. Engravers, though unrecorded, were skilled court mint masters. Both obverse and reverse feature intricate Persian (Urdu) script, typically detailing the ruler's name, titles, regnal year, and the mint name "Farkhunda Bunyad Hyderabad." The stylistic school emphasizes clarity and balance in the Nastaliq or Naskh script, reflecting a refined courtly tradition of the Deccan.

Technical/Grading: Struck in .910 fine gold, weighing 2.794 grams, this coin generally exhibits a sharp strike, typical of precious metal issues. Key high-points for assessing wear and strike quality include the intricate serifs and flourishes of the calligraphy, particularly within central legends and outer margins. Examine individual letterform definition. While gold's malleability usually ensures a full strike, minor flatness or weakness in finer calligraphic details or slight off-centering are common grading considerations.

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