1/4 Anna - Victoria [Anand Rao Pawar III] Pattern

Historical Context: This 1887 1/4 Anna pattern, struck in gold for the Princely State of Dhar, represents a fascinating intersection of local autonomy and British paramountcy during the reign of Anand Rao Pawar III (1857-1898). As a Maratha state in the Malwa Agency, Dhar’s coinage often reflected both traditional Indian motifs and the increasing influence of the British Raj. The inclusion of "Victoria" signifies the Empress of India, a common feature on princely state coinage attempting to align with imperial standards. The unusual gold composition for such a low denomination strongly indicates its status as a presentation piece or a trial strike, rather than a proposed circulation issue, highlighting its rarity and significance as a numismatic proposal.

Artistry: The design of this pattern likely emanated from or was heavily influenced by the British colonial mints, particularly the Bombay or Calcutta Mint, which frequently prepared dies or provided design templates for princely states. While a specific engraver is not recorded for this Dhar issue, the obverse featuring Victoria would adhere to the prevailing Victorian neo-classical style, characterized by a dignified, idealized bust. The reverse, bearing the state's denomination and possibly local script (likely Devanagari or Marathi) and symbols, would blend traditional Indian aesthetic with the ordered precision of British minting. The quality of strike and detail on patterns is typically superior to circulating issues, reflecting meticulous die preparation.

Technical/Grading: For this rare gold pattern, exceptional preservation is paramount. Key grading points include the sharpness of Victoria's portrait on the obverse, specifically the intricate details of her hair, diadem, and facial features. On the reverse, the clarity and full definition of the native script, any symbolic devices, and the denomination are critical. As a pattern, a full, strong strike is expected across all design elements, with any weakness being a significant detractor. The fields should be pristine, free from contact marks, hairlines, or planchet imperfections, allowing the original proof-like or brilliant luster typical of such presentation pieces to shine through unimpeded.