Catalogo
| Emittente | Muscat and Oman |
|---|---|
| Anno | 1897 |
| Tipo | Standard circulation coin |
| Valore | 1/4 Anna (1⁄64) |
| Valuta | Indian rupee (1891-1959) |
| Composizione | Copper |
| Peso | 6.4 g |
| Diametro | 25.4 mm |
| Spessore | |
| Forma | Round |
| Tecnica | |
| Orientamento | Medal alignment ↑↑ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | KM#11 |
| Descrizione del dritto | |
|---|---|
| Scrittura del dritto | Arabic, Latin |
| Legenda del dritto | |
| Descrizione del rovescio | |
| Scrittura del rovescio | Arabic |
| Legenda del rovescio | |
| Bordo | Smooth |
| Zecca | |
| Tiratura |
1314 (1897) - ۱۳۱۴ - |
| ID Numisquare | 3371904950 |
| Informazioni aggiuntive |
Historical Context: The 1897 1/4 Anna, KM#11, was issued during the reign of Sultan Faisal bin Turki Al Said (1888-1913) of Muscat and Oman. This era was characterized by a delicate balance of maintaining the Sultanate's autonomy amidst increasing British influence in the Arabian Gulf. The adoption of the Anna denomination reflects Muscat and Oman's deep economic ties with British India and its role in regional trade networks. This copper coinage represents a tangible assertion of sovereign authority and economic stability under Sultan Faisal, signaling a period of internal consolidation and external engagement.
Artistry: The design of the 1897 1/4 Anna likely adheres to a functional, calligraphic style common for fractional coinage in the region. Without a specific engraver identified, the dies were probably cut by local artisans or commissioned from a regional mint, possibly in British India. The "without wreath" designation implies a minimalist aesthetic, prioritizing the clear presentation of Arabic script, likely in Naskh or Thuluth. The obverse would typically feature the Sultan's name and titles, while the reverse would display the denomination and the Hijri date corresponding to 1897, possibly within a simple circular border.
Technical/Grading: For the 1/4 Anna, the primary high-points for assessing wear are the raised elements of the Arabic calligraphy, specifically the central strokes and serifs of the letters and numerals. Given its copper composition and regional origin, strike quality can vary significantly. Collectors may observe areas of weakness, particularly on the outer legends or where the die impression was less forceful. Planchet quality, including minor surface flaws or unevenness, is also a common characteristic. A strong, even strike with well-defined calligraphy would command a premium.