| Issuer | Besançon, Free imperial city of |
|---|---|
| Year | 1641-1646 |
| Type | Standard circulation coin |
| Value | 1/2 Thaler = 16 Groschen |
| Currency | Thaler (1537-1673) |
| Composition | Silver |
| Weight | |
| Diameter | 35 mm |
| Thickness | |
| Shape | Round |
| Technique | |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | KM#28, PA#5412, Dy féodales#3064 |
| Obverse description | Laureate bust within circle facing left. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
✠ CAROLVS ✿ V ✿ IMPERATOR (Translation: Charles V, emperor.) |
| Reverse description | City arms in circle, date at end of legend. |
| Reverse script | Latin |
| Reverse lettering |
✠ MONETA : CIVI : IMP : BISVNTINÆ (Translation: Coinage of the imperial city of Besançon.) |
| Edge | |
| Mint | |
| Mintage |
1641 - - 1642 - - 1643 - - 1644 - - 1645 - - 1646 - - |
| Numisquare ID | 1693282260 |
| Additional information |
Historical Context: This 1/2 Thaler, struck by the Free Imperial City of Besançon (1641-1646), exemplifies numismatic immobilization. Despite Charles V's death in 1558, his name and effigy persisted on Besançon's coinage for nearly a century. This practice underscored the city's enduring loyalty to its imperial status within the Holy Roman Empire. It was a crucial assertion of sovereignty during the tumultuous Thirty Years' War, as Besançon, located in Franche-Comté, navigated increasing French influence and regional conflicts.
Artistry: Local mint engravers, adhering to imperial numismatic traditions, executed this design. While specific engravers are often unrecorded, the stylistic approach reflects a late Renaissance or early Baroque influence, typical of Central European coinage. The obverse commonly features a stylized, anachronistic laureate bust of Charles V. The reverse typically displays the imperial double-headed eagle or the city's arms, accompanied by Latin legends proclaiming Besançon's imperial freedom and allegiance.
Technical/Grading: Struck in silver with a 35mm diameter, these flans often exhibit typical production characteristics of the era, including minor planchet irregularities or slight off-centring. High-point wear on the obverse usually manifests on Charles V's hair, the laurel wreath, and upper drapery. On the reverse, the imperial eagle's breast feathers and crown are primary areas for friction. A well-preserved example would show sharp detail in the legends and a full, even strike.